The following year, Biermann earned a doctorate in humanities and intermedia analysis from the University of Amsterdam. In 2005, Biermann founded The Heavy Projects (which last year brought aboard the digital media expert Ean Mering) to experiment with urban art and mobile AR technology. Until AR can happen in glasses, it’s not a seamless experience,” says Biermann. “The hardware needs to catch up to the software. The heavy hitters, like Apple, Microsoft, and Google, are recognizing this,” Biermann says, referring to advances like Google’s Project Glass and Microsoft’s recent patent for AR glasses, both of which will move the technology beyond its current home in smartphones. “Augmented reality will become a more integrated part of our lives. The panel will discuss how AR is enhancing design, manufacturing, and medicine.Ī Public Artist: BC” Heavy” Biermann uses augmented reality to transform public spaces. This month, Biermann brings his insight to the IEEE panel “ Omnipresent: When Virtual Meets Reality” at the South by Southwest Festival in Austin, Texas. His art projects often involve overlaying interactive digital facades on public buildings and spaces and have attracted interest from public and technical audiences alike. His nickname reflects his penchant for “heavy” academic discussion. At the forefront of this burgeoning movement is BC “Heavy” Biermann.īiermann is a self-taught programmer and transmedia scholar with a foothold in both Los Angeles and St. Now artists have begun harnessing the technology as a means of expression and social commentary. Augmented reality (AR) has already piqued interest in the business, health, education, and entertainment communities.
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